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          MASTHEAD 48

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          Antennae: The Journal of Nature in Visual Culture

          WHITE GRADIENT 1 Facebook circle white small

          Antennae is a peer-reviewed, non-funded, independent, quarterly academic journal. All rights of featured content of website and PDF publication are reserved. Editor in Chief: Giovanni Aloi. 2017

          Antennae: The Journal of Nature in Visual Culture

          Antennae: The Journal of Nature in Visual Culture

          Antennae: The Journal of Nature in Visual Culture

          Antennae: The Journal of Nature in Visual Culture

          Antennae Issue 29 87 Antennae Issue 29 86 Antennae Issue 29 85

          Antennae: The Journal of Nature in Visual Culture

          Antennae: The Journal of Nature in Visual Culture

          Antennae: The Journal of Nature in Visual Culture

          Antennae: The Journal of Nature in Visual Culture

          Antennae: The Journal of Nature in Visual Culture

          Antennae: The Journal of Nature in Visual Culture

          How can we make people care for the natural world so that they might invest in its preservation? For natural historians during the 19th century, the answer was to kill animals in order to set up gorgeous, dioramas. Today, artists are proposing many different answers to the same question, while finding innovative ways to celebrate biodiversity and promote new conceptions of the natural world at a time of unprecedented environmental crisis. This critical reappraisal was central to Making Nature: How We See Animals, the exhibition curated by Honor Beddard at Wellcome Collection in London between the 1st of December 2016 and the 21st of May 2017. Wellcome Collection is a free museum and library that aims to challenge how we all think and feel about health. Making Nature explored how we think about other animals is central to our understanding of ourselves, our place in the world, and the consequences of this for the health of the planet and its inhabitants.



          2017-12-02 09.40.16










          CAROL J ADAMS





          GARY HUME

          OLEG KULIG



          PETER SINGER


          CARY WOLFE




          Nella Aarne | Libby Barbee | Honor Beddard Sam Butler | Anne de Malleray

          Joshua de Paiva | Paul Finnegan | Jenny Gilliam Katerie Gladdys | Michael John Gorman

          David Harradine | Pierre Huyghe | Sonia Levy  Jean-Luc Nancy | Richard Pell | Anna Prizzia

          Alexis Rockman |Beth Savage | Geoffrey Shamos

          Sn?bj?rnsdóttir/Wilson | Anna Walsh

          Phillip Warnell | Yuki Yamamoto

          AND MANY MORE


          42 cover



          ISSUE 50 — SPRING 2020

          remaking nature

          This issue of Antennae, and the previous, is part of a project informed by the exhibition Making Nature, and is co-edited with Honor Beddard. Remaking Nature, focuses on the work of contemporary artists whose practice reveals the constructedness of nature as a concept through which to map and untangle important, and yet overlooked, junctions in our coevolutional histories with the rest of the natural world. This outlook should not be misinterpreted as an attempt to diminish the epistemic importance of natural history but as a desire to reach further deep into the discipline’s productive core for the purpose of devising new natural histories for the twenty-first century. Thanks to Honor Beddard, Wellcome Collection, and everyone who has been involved in the making of this issue over the past two years.



          IN THIS ISSUE

          Dr. GIOVANNI ALOI

          Editor in Chief of AntennaeProject

          34 essays and interviews

          featuring key contemporary artists and scholars

          329 pages

          202 illustrations


          2c hunting 9b alexis 1a making 5 unbearable

          p 144

          p 69

          p 72


          Our false image of nature needs to change very significantly in light of the fact that 95% of mammals and birds on earth (by mass) are either humans or livestock and that chickens are by far the most common bird in the world.

          quotation two


          by Stefan Benz

          1 making


          In these years, the sea and its behaviours increasingly serve as an urgent and unrelenting reminder of global warming. Sn?bj?rnsdóttir and Wilson’s most recent series of works, Shooting the Messenger, takes as its leitmotif, the idea of the unwelcome visitor arriving at the

          shores of an island. MORE >>


          Making Nature was a year-long programme of exhibitions and events at Wellcome Collection, London, that considered our relationship with the natural world. Displayed throughout the exhibition were the works of 9 contemporary artists featured in this portfolio. Each artwork offered a different perspective on the com-plexities of human/non-human animal relation-ships. MORE >>


          Making Nature

          By Honor Beddard/Wellcome Collection


          Shooting the Messenger

          Text and images by Sn?bj?rnsdóttir/Wilson

          9 alexis


          In Alexis Rockman’s paintings, we do not see human beings. We see memories and vestiges of them in polluted canals, cascading piles of

          trash, crumbling monuments and mutated animals. MORE >>


          Alexis Rockman:

          Natural Histories

          of the Anthropocene

          Giovanni Aloi interviews Alexis Rockman


          Ming of Harlem included the production of photographic documentation, of what was a unique film shoot and performative event, in an apartment - fabricated, established and tem-porarily inhabited by a tiger in an outdoor UK zoo enclosure. MORE >>


          Ming of Harlem

          By Phillip Warnell with images by Yuki Yamamoto and poem by Jean-Luc Nancy

          10 a ming


          Denaturalizing the museum institution’s foun-dational dualisms, the Hunting and Nature Museum in Paris becomes a naturalcultural contact zone for, as Donna Haraway would

          have it, keeping up with the trouble. Joshua de Paiva and Anne de Malleray explore how the museum unfolds a relational narrative that invites visitors to stand in the hunter’s boots.  MORE >>


          Hunting in the          Contact Zone

          Text and images by Joshua de Paiva and Anne de Malleray


          BIOTOPIA is a museum for everyone: a discussion and communicationplatform that brings the latest research to life, an interactive place of learning with public laboratories and diverse programs, an interdisciplinary space

          that bridges the gap between nature, culture, art and design. MORE >>


          BIOTOPIA: The Future of

          Natural History Museums

          Giovanni Aloi interviews Michael John Gorman


          Sheep Pig Goat aimed to explore how humans see animals for what they really are — not for what we think they are — through a series of

          improvised encounters between human performers and animal spectators, witnessed by a human audience. MORE >>


          Sheep Pig Goat

          Honor Beddard interview: Sam Butler and David Harradine


          12 sheep 3a biotopia


          Artists working with environmental issues are contributing to the study and restoration of the landscape in increasingly tangible ways. Equally

          nature reserves and zoos are engaging in performative practices that would not be out of place in an art gallery. MORE >>


          Practicing Post-Nature

          By Beth Savage


          The Center for PostNatural History in Pittsburgh’s Garfield neighborhood focusses on the collection and exhibition of organisms that have been intentionally and heritably altered by humans by means including selective breeding or genetic engineering.  MORE >>


          The Center for

          PostNatural History

          Giovanni Aloi interviews Richard Pell

          13a practicing 4a center


          The Unbearable

          Impermanence of Things

          In conversation with Geoffrey Shamos

          and Libby Barbee

          14 nature 5a unbearable


          The Nature of Appearances

          Text and Images by Jenny Gillam


          Project Coral is a coral restoration research project located at the Horniman Museum and

          Gardens in London. Behind-the-scenes, lab-tanks have been designed to mirror the exact environmental conditions of the Great Barrier Reef, enabling corals to spawn within this mesocosm – a world first. MORE >>


          For the Love of Corals

          By Sonia Levy and Nella Aarne with images by Sonia Levy

          15 a love


          Isabella Kirkland’s work examines man’s relationship to the natural world through intricate oil paintings in the style of sixteenth and seventeenth century Dutch Master

          still life. Her life-size depictions of plants and animals are precisely rendered and anatomically accurate, the result of extensive research at natural history museums. MORE >>

          7a idea 11a lessons


          We constantly attempt to organise and categorise the world around us. Anna Walsh works with natural history imagery and categorization methods, Her work can be understood as a ‘folk taxonomy’ rather than a scientific process; it is more social and based on local or personal knowledge. MORE >>



          LESSONS in THINGS

          Text and images by Anna Walsh

          p 22

          p 35

          p 76

          6 radical


          Radicle Stories

          Text and Images by Katerie Gladdys and Anna Prizzia

          15 love

          p 219


          Adorno’s idea of natural history aims at recon-ciling, in form and in content, theopposing forces of nature and history with the aim of overcoming the division of natural being and historical being that Adorno considered to be the central prob- lem of critical social theory. MORE>>

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          In the fall of 2019, the University of Denver mounted the exhibition The Unbearable Impermanence of Things, featuring work by contemporary artists whose projects incorporate ideas and aesthetics from nineteenth-century naturalism and natural history. MORE >>



          By Paul Finnegan with images by Pierre Huyghe





          IN THE WORK Of


          1 making 50 COVER 1 making


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