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                      THE JOURNAL OF NATURE

                      IN VISUAL CULTURE

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                      Antennae: The Journal of Nature in Visual Culture

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                      Antennae is a peer-reviewed, non-funded, independent, quarterly academic journal. All rights of featured content of website and PDF publication are reserved. Editor in Chief: Giovanni Aloi. 2017

                      Antennae: The Journal of Nature in Visual Culture

                      Antennae: The Journal of Nature in Visual Culture

                      Antennae: The Journal of Nature in Visual Culture

                      Antennae: The Journal of Nature in Visual Culture

                      Antennae Issue 29 87 Antennae Issue 29 86 Antennae Issue 29 85

                      Antennae: The Journal of Nature in Visual Culture

                      Antennae: The Journal of Nature in Visual Culture

                      Antennae: The Journal of Nature in Visual Culture

                      Antennae: The Journal of Nature in Visual Culture

                      Antennae: The Journal of Nature in Visual Culture

                      Antennae: The Journal of Nature in Visual Culture

                      How can we make people care for the natural world so that they might invest in its preservation? For natural historians during the 19th century, the answer was to kill animals in order to set up gorgeous, dioramas. Today, artists are proposing many different answers to the same question, while finding innovative ways to celebrate biodiversity and promote new conceptions of the natural world at a time of unprecedented environmental crisis. This critical reappraisal was central to Making Nature: How We See Animals, the exhibition curated by Honor Beddard at Wellcome Collection in London between the 1st of December 2016 and the 21st of May 2017. Wellcome Collection is a free museum and library that aims to challenge how we all think and feel about health. Making Nature explored how we think about other animals is central to our understanding of ourselves, our place in the world, and the consequences of this for the health of the planet and its inhabitants.



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                      CAROL J ADAMS

                      SUZANNE ANKER

                      JONATHAN BIRTH

                      DOROTHY CROSS

                      CARSTON HOLLAR

                      GARY HUME

                      OLEG KULIG


                      PAULINE OLIVERO

                      PETER SINGER


                      CARY WOLFE




                      Nella Aarne | Libby Barbee | Honor Beddard Sam Butler | Anne de Malleray

                      Joshua de Paiva | Paul Finnegan | Jenny Gilliam Katerie Gladdys | Michael John Gorman

                      David Harradine | Pierre Huyghe | Sonia Levy  Jean-Luc Nancy | Richard Pell | Anna Prizzia

                      Alexis Rockman |Beth Savage | Geoffrey Shamos

                      Sn?bj?rnsdóttir/Wilson | Anna Walsh

                      Phillip Warnell | Yuki Yamamoto

                      AND MANY MORE


                      42 cover

                      THE JOURNAL OF NATURE

                      IN VISUAL CULTURE

                      ISSUE 50 — SPRING 2020

                      remaking nature

                      This issue of Antennae, and the previous, is part of a project informed by the exhibition Making Nature, and is co-edited with Honor Beddard. Remaking Nature, focuses on the work of contemporary artists whose practice reveals the constructedness of nature as a concept through which to map and untangle important, and yet overlooked, junctions in our coevolutional histories with the rest of the natural world. This outlook should not be misinterpreted as an attempt to diminish the epistemic importance of natural history but as a desire to reach further deep into the discipline’s productive core for the purpose of devising new natural histories for the twenty-first century. Thanks to Honor Beddard, Wellcome Collection, and everyone who has been involved in the making of this issue over the past two years.



                      IN THIS ISSUE

                      Dr. GIOVANNI ALOI

                      Editor in Chief of AntennaeProject

                      34 essays and interviews

                      featuring key contemporary artists and scholars

                      329 pages

                      202 illustrations

                      MICHAEL JOHN GORMAN

                      2c hunting 9b alexis 1a making 5 unbearable

                      p 144

                      p 69

                      p 72


                      Our false image of nature needs to change very significantly in light of the fact that 95% of mammals and birds on earth (by mass) are either humans or livestock and that chickens are by far the most common bird in the world.

                      quotation two

                      MICHAEL McCLURE: MEAT THYSELF

                      by Stefan Benz

                      1 making


                      In these years, the sea and its behaviours increasingly serve as an urgent and unrelenting reminder of global warming. Sn?bj?rnsdóttir and Wilson’s most recent series of works, Shooting the Messenger, takes as its leitmotif, the idea of the unwelcome visitor arriving at the

                      shores of an island. MORE >>


                      Making Nature was a year-long programme of exhibitions and events at Wellcome Collection, London, that considered our relationship with the natural world. Displayed throughout the exhibition were the works of 9 contemporary artists featured in this portfolio. Each artwork offered a different perspective on the com-plexities of human/non-human animal relation-ships. MORE >>


                      Making Nature

                      By Honor Beddard/Wellcome Collection


                      Shooting the Messenger

                      Text and images by Sn?bj?rnsdóttir/Wilson

                      9 alexis


                      In Alexis Rockman’s paintings, we do not see human beings. We see memories and vestiges of them in polluted canals, cascading piles of

                      trash, crumbling monuments and mutated animals. MORE >>


                      Alexis Rockman:

                      Natural Histories

                      of the Anthropocene

                      Giovanni Aloi interviews Alexis Rockman


                      Ming of Harlem included the production of photographic documentation, of what was a unique film shoot and performative event, in an apartment - fabricated, established and tem-porarily inhabited by a tiger in an outdoor UK zoo enclosure. MORE >>


                      Ming of Harlem

                      By Phillip Warnell with images by Yuki Yamamoto and poem by Jean-Luc Nancy

                      10 a ming


                      Denaturalizing the museum institution’s foun-dational dualisms, the Hunting and Nature Museum in Paris becomes a naturalcultural contact zone for, as Donna Haraway would

                      have it, keeping up with the trouble. Joshua de Paiva and Anne de Malleray explore how the museum unfolds a relational narrative that invites visitors to stand in the hunter’s boots.  MORE >>


                      Hunting in the          Contact Zone

                      Text and images by Joshua de Paiva and Anne de Malleray


                      BIOTOPIA is a museum for everyone: a discussion and communicationplatform that brings the latest research to life, an interactive place of learning with public laboratories and diverse programs, an interdisciplinary space

                      that bridges the gap between nature, culture, art and design. MORE >>


                      BIOTOPIA: The Future of

                      Natural History Museums

                      Giovanni Aloi interviews Michael John Gorman


                      Sheep Pig Goat aimed to explore how humans see animals for what they really are — not for what we think they are — through a series of

                      improvised encounters between human performers and animal spectators, witnessed by a human audience. MORE >>


                      Sheep Pig Goat

                      Honor Beddard interview: Sam Butler and David Harradine


                      12 sheep 3a biotopia


                      Artists working with environmental issues are contributing to the study and restoration of the landscape in increasingly tangible ways. Equally

                      nature reserves and zoos are engaging in performative practices that would not be out of place in an art gallery. MORE >>


                      Practicing Post-Nature

                      By Beth Savage


                      The Center for PostNatural History in Pittsburgh’s Garfield neighborhood focusses on the collection and exhibition of organisms that have been intentionally and heritably altered by humans by means including selective breeding or genetic engineering.  MORE >>


                      The Center for

                      PostNatural History

                      Giovanni Aloi interviews Richard Pell

                      13a practicing 4a center


                      The Unbearable

                      Impermanence of Things

                      In conversation with Geoffrey Shamos

                      and Libby Barbee

                      14 nature 5a unbearable


                      The Nature of Appearances

                      Text and Images by Jenny Gillam


                      Project Coral is a coral restoration research project located at the Horniman Museum and

                      Gardens in London. Behind-the-scenes, lab-tanks have been designed to mirror the exact environmental conditions of the Great Barrier Reef, enabling corals to spawn within this mesocosm – a world first. MORE >>


                      For the Love of Corals

                      By Sonia Levy and Nella Aarne with images by Sonia Levy

                      15 a love


                      Isabella Kirkland’s work examines man’s relationship to the natural world through intricate oil paintings in the style of sixteenth and seventeenth century Dutch Master

                      still life. Her life-size depictions of plants and animals are precisely rendered and anatomically accurate, the result of extensive research at natural history museums. MORE >>

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                      We constantly attempt to organise and categorise the world around us. Anna Walsh works with natural history imagery and categorization methods, Her work can be understood as a ‘folk taxonomy’ rather than a scientific process; it is more social and based on local or personal knowledge. MORE >>



                      LESSONS in THINGS

                      Text and images by Anna Walsh

                      p 22

                      p 35

                      p 76

                      6 radical


                      Radicle Stories

                      Text and Images by Katerie Gladdys and Anna Prizzia

                      15 love

                      p 219


                      Adorno’s idea of natural history aims at recon-ciling, in form and in content, theopposing forces of nature and history with the aim of overcoming the division of natural being and historical being that Adorno considered to be the central prob- lem of critical social theory. MORE>>

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                      In the fall of 2019, the University of Denver mounted the exhibition The Unbearable Impermanence of Things, featuring work by contemporary artists whose projects incorporate ideas and aesthetics from nineteenth-century naturalism and natural history. MORE >>


                      PIERRE HUYGHE

                      By Paul Finnegan with images by Pierre Huyghe




                      "IDEA OF NATURAL HISTORY"

                      IN THE WORK Of


                      1 making 50 COVER 1 making


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