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        MASTHEAD 48

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        ANTENNAE

        THE JOURNAL OF NATURE

        IN VISUAL CULTURE

        SUNSET 47 BANNER
        SUNSET 47 BANNER 2 masthead 5.5.19 copy masthead 5.5.19 copy masthead 2 4.4.20

        THE JOURNAL OF NATURE IN VISUAL CULTURE

        Antennae: The Journal of Nature in Visual Culture

        WHITE GRADIENT 1 Facebook circle white small

        Antennae is a peer-reviewed, non-funded, independent, quarterly academic journal. All rights of featured content of website and PDF publication are reserved. Editor in Chief: Giovanni Aloi. 2017

        Antennae: The Journal of Nature in Visual Culture

        Antennae: The Journal of Nature in Visual Culture

        Antennae: The Journal of Nature in Visual Culture

        Antennae: The Journal of Nature in Visual Culture

        Antennae Issue 29 87 Antennae Issue 29 86 Antennae Issue 29 85

        Antennae: The Journal of Nature in Visual Culture

        Antennae: The Journal of Nature in Visual Culture

        Antennae: The Journal of Nature in Visual Culture

        Antennae: The Journal of Nature in Visual Culture

        Antennae: The Journal of Nature in Visual Culture

        Antennae: The Journal of Nature in Visual Culture

        How can we make people care for the natural world so that they might invest in its preservation? For natural historians during the 19th century, the answer was to kill animals in order to set up gorgeous, dioramas. Today, artists are proposing many different answers to the same question, while finding innovative ways to celebrate biodiversity and promote new conceptions of the natural world at a time of unprecedented environmental crisis. This critical reappraisal was central to Making Nature: How We See Animals, the exhibition curated by Honor Beddard at Wellcome Collection in London between the 1st of December 2016 and the 21st of May 2017. Wellcome Collection is a free museum and library that aims to challenge how we all think and feel about health. Making Nature explored how we think about other animals is central to our understanding of ourselves, our place in the world, and the consequences of this for the health of the planet and its inhabitants.

         

         

        2017-12-02 09.40.16

        DOUGFOG GIOVANNIALOI GRAHAMHARMAN CAROLINEPICARD  

        LYNNTURNER

        RONBROGLIO KATHYHIGH JESSICAULLRICH

        HENRIKH?KANSSON ANDREWYANG ERWINDRIESSENS

        MARIAVERSTAPPEN

        KENRINALDO MUSTAFASABBAGH CECILIANOVERO DOROTHYCROSS

        ANGELASINGER

         

         

        CAROL J ADAMS

        SUZANNE ANKER

        JONATHAN BIRTH

        DOROTHY CROSS

        CARSTON HOLLAR

        GARY HUME

        OLEG KULIG

        ROSEMARYTROCCO

        PAULINE OLIVERO

        PETER SINGER

        LOISWAINTERBER

        CARY WOLFE

         

         

         

        Nella Aarne | Libby Barbee | Honor Beddard Sam Butler | Anne de Malleray

        Joshua de Paiva | Paul Finnegan | Jenny Gilliam Katerie Gladdys | Michael John Gorman

        David Harradine | Pierre Huyghe | Sonia Levy  Jean-Luc Nancy | Richard Pell | Anna Prizzia

        Alexis Rockman |Beth Savage | Geoffrey Shamos

        Sn?bj?rnsdóttir/Wilson | Anna Walsh

        Phillip Warnell | Yuki Yamamoto

        AND MANY MORE

        ANTENNAE

        42 cover

        THE JOURNAL OF NATURE

        IN VISUAL CULTURE

        ISSUE 50 — SPRING 2020

        remaking nature

        This issue of Antennae, and the previous, is part of a project informed by the exhibition Making Nature, and is co-edited with Honor Beddard. Remaking Nature, focuses on the work of contemporary artists whose practice reveals the constructedness of nature as a concept through which to map and untangle important, and yet overlooked, junctions in our coevolutional histories with the rest of the natural world. This outlook should not be misinterpreted as an attempt to diminish the epistemic importance of natural history but as a desire to reach further deep into the discipline’s productive core for the purpose of devising new natural histories for the twenty-first century. Thanks to Honor Beddard, Wellcome Collection, and everyone who has been involved in the making of this issue over the past two years.

         

         

        IN THIS ISSUE

        Dr. GIOVANNI ALOI

        Editor in Chief of AntennaeProject

        34 essays and interviews

        featuring key contemporary artists and scholars

        329 pages

        202 illustrations

        MICHAEL JOHN GORMAN

        2c hunting 9b alexis 1a making 5 unbearable

        p 144

        p 69

        p 72

        quotation

        Our false image of nature needs to change very significantly in light of the fact that 95% of mammals and birds on earth (by mass) are either humans or livestock and that chickens are by far the most common bird in the world.

        quotation two

        MICHAEL McCLURE: MEAT THYSELF

        by Stefan Benz

        1 making

         

        In these years, the sea and its behaviours increasingly serve as an urgent and unrelenting reminder of global warming. Sn?bj?rnsdóttir and Wilson’s most recent series of works, Shooting the Messenger, takes as its leitmotif, the idea of the unwelcome visitor arriving at the

        shores of an island. MORE >>

         

        Making Nature was a year-long programme of exhibitions and events at Wellcome Collection, London, that considered our relationship with the natural world. Displayed throughout the exhibition were the works of 9 contemporary artists featured in this portfolio. Each artwork offered a different perspective on the com-plexities of human/non-human animal relation-ships. MORE >>

         

        Making Nature

        By Honor Beddard/Wellcome Collection

         

        Shooting the Messenger

        Text and images by Sn?bj?rnsdóttir/Wilson

        9 alexis

         

        In Alexis Rockman’s paintings, we do not see human beings. We see memories and vestiges of them in polluted canals, cascading piles of

        trash, crumbling monuments and mutated animals. MORE >>

         

        Alexis Rockman:

        Natural Histories

        of the Anthropocene

        Giovanni Aloi interviews Alexis Rockman

         

        Ming of Harlem included the production of photographic documentation, of what was a unique film shoot and performative event, in an apartment - fabricated, established and tem-porarily inhabited by a tiger in an outdoor UK zoo enclosure. MORE >>

         

        Ming of Harlem

        By Phillip Warnell with images by Yuki Yamamoto and poem by Jean-Luc Nancy

        10 a ming

         

        Denaturalizing the museum institution’s foun-dational dualisms, the Hunting and Nature Museum in Paris becomes a naturalcultural contact zone for, as Donna Haraway would

        have it, keeping up with the trouble. Joshua de Paiva and Anne de Malleray explore how the museum unfolds a relational narrative that invites visitors to stand in the hunter’s boots.  MORE >>

         

        Hunting in the          Contact Zone

        Text and images by Joshua de Paiva and Anne de Malleray

         

        BIOTOPIA is a museum for everyone: a discussion and communicationplatform that brings the latest research to life, an interactive place of learning with public laboratories and diverse programs, an interdisciplinary space

        that bridges the gap between nature, culture, art and design. MORE >>

         

        BIOTOPIA: The Future of

        Natural History Museums

        Giovanni Aloi interviews Michael John Gorman

         

        Sheep Pig Goat aimed to explore how humans see animals for what they really are — not for what we think they are — through a series of

        improvised encounters between human performers and animal spectators, witnessed by a human audience. MORE >>

         

        Sheep Pig Goat

        Honor Beddard interview: Sam Butler and David Harradine

         

        12 sheep 3a biotopia

         

        Artists working with environmental issues are contributing to the study and restoration of the landscape in increasingly tangible ways. Equally

        nature reserves and zoos are engaging in performative practices that would not be out of place in an art gallery. MORE >>

         

        Practicing Post-Nature

        By Beth Savage

         

        The Center for PostNatural History in Pittsburgh’s Garfield neighborhood focusses on the collection and exhibition of organisms that have been intentionally and heritably altered by humans by means including selective breeding or genetic engineering.  MORE >>

         

        The Center for

        PostNatural History

        Giovanni Aloi interviews Richard Pell

        13a practicing 4a center

         

        The Unbearable

        Impermanence of Things

        In conversation with Geoffrey Shamos

        and Libby Barbee

        14 nature 5a unbearable

         

        The Nature of Appearances

        Text and Images by Jenny Gillam

         

        Project Coral is a coral restoration research project located at the Horniman Museum and

        Gardens in London. Behind-the-scenes, lab-tanks have been designed to mirror the exact environmental conditions of the Great Barrier Reef, enabling corals to spawn within this mesocosm – a world first. MORE >>

         

        For the Love of Corals

        By Sonia Levy and Nella Aarne with images by Sonia Levy

        15 a love

         

        Isabella Kirkland’s work examines man’s relationship to the natural world through intricate oil paintings in the style of sixteenth and seventeenth century Dutch Master

        still life. Her life-size depictions of plants and animals are precisely rendered and anatomically accurate, the result of extensive research at natural history museums. MORE >>

        7a idea 11a lessons

         

        We constantly attempt to organise and categorise the world around us. Anna Walsh works with natural history imagery and categorization methods, Her work can be understood as a ‘folk taxonomy’ rather than a scientific process; it is more social and based on local or personal knowledge. MORE >>

         

         

        LESSONS in THINGS

        Text and images by Anna Walsh

        p 22

        p 35

        p 76

        6 radical

         

        Radicle Stories

        Text and Images by Katerie Gladdys and Anna Prizzia

        15 love

        p 219

         

        Adorno’s idea of natural history aims at recon-ciling, in form and in content, theopposing forces of nature and history with the aim of overcoming the division of natural being and historical being that Adorno considered to be the central prob- lem of critical social theory. MORE>>

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        In the fall of 2019, the University of Denver mounted the exhibition The Unbearable Impermanence of Things, featuring work by contemporary artists whose projects incorporate ideas and aesthetics from nineteenth-century naturalism and natural history. MORE >>

         

        PIERRE HUYGHE

        By Paul Finnegan with images by Pierre Huyghe

         

         

        THE

        "IDEA OF NATURAL HISTORY"

        IN THE WORK Of

         

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